I just put up an old paper on Claude Vivier’s piece Zipangu. I think I wrote it in Carl Morey’s Music in Canada seminar back at U of T. I’m posting it (it’s in the “Writing” section of the web site) for a couple of reasons. Vivier’s life and career were both cut short in 1983, and he’s not terribly well-know outside of Canada. Which is a shame, because he wrote some really amazing music. This piece in particular, really struck me, and stuck with me. If you don’t know his music, it’s a great place to start. The paper isn’t an exhaustive analysis, but it does shed light on how the piece is put together. When I dug into the piece, I was startled at formalist it actually was. Would love to hear your comments on both the piece and the paper.
As you can see, I’ve done some simplifying, standardizing, and general cleanup. A nice clean look for the fall! Please let me know what you think.